主持人：Stacey Rodda 盧廸思
MAY 2025 FOCUS: FRANCE
VIDEO PROMOTIONS ...
…connecting music to visual arts, literature, film and theatre while discovering the delights of these arts in different parts of the world
NEW
FOCUS: FRANCE
The Culture Show with Mr. Benjamin Cabouat, Consul for Culture, Education and Science in HK and Macao
The Culture Show with Mr. Benjamin Cabouat, Consul for Culture, Education and Science in HK and Macao
The Culture Show with Mr. Benjamin Cabouat, Consul for Culture, Education and Science in HK and Macao
PREVIOUS
The Culture Show with Mr. Timo Kantola, Consul General of Finland in Hong Kong
The Culture Show with Mr. Timo Kantola, Consul General of Finland in Hong Kong
The Culture Show with Ms. Alice Fratarcangeli, Director of the Italian Cultural Institute in Hong Kong and Macau
The Culture Show wirh Ms.Klára Jurčová, Consul General of the Czech Republic in Hong Kong
REMBRANDT, DALI, AND THE HARP
We continue our look at visual art depicting the harp through the ages from Rembrandt to Dali. We begin with Rembrandt’s Saul and David (1655).
Rembrandt, arguably the greatest master of rendering the human soul in painting, filtered out of the twenty-five-hundred-year-old story what he had to say to his own 17th century Holland. One of his great masterpieces, it exquisitely depicts the pain, suffering and anguish of the old king which David is trying to sooth with his harp playing.
We then enter the 20th century and continue our exploration of visual art featuring the harp with a stretch - something he continually did in his paintings - with Meditation on the Harp created by the renowned Surrealist artist Salvador Dali.
Dali often proclaimed music as being far inferior to painting as an art form, yet he depicted violins, cellos, guitars, pianos and other instruments in his works. Dalí himself had a complex relationship with music, publicly disparaging it, while apparently privately enjoying it.
Music by Handel and Satie complete the programme.
主持人：Stacey Rodda 盧廸思
DEGAS AND DANCE
Degas represented dancers in almost all mediums. For him the moving figure was the most compelling challenge, and in dance he found his ideal subject. Degas also sought to capture fleeting moments in the flow of modern life, yet he showed little interest in painting plein-air landscapes, favoring scenes in theaters and other venues illuminated by artificial light.
Degas was personally interested in dance. He followed productions closely and critically, both at the Opéra and elsewhere yet, very few of his depictions of dance show an actual performance. Instead, the artist hovers behind the wings, backstage, in class, or at a rehearsal. We’ll find out why.
